XXIII CIM – Colloqui di Informatica Musicale, Ancona, 2022

CIM (Colloquio di Informatica Musicale/Colloquium of Musical Informatics) is the Italian conference on computer music since 1976. It is organized by AIMI (Ass.ne Informatica Musicale Italiana) and in its XXIII edition was hosted by Università Politecnica delle Marche and Acusmatiq MATME with the friendly support of Siemens Musikstiftung.

It consisted of a 3-day scientific program, 3 evening concerts and multiple listening sessions. It hosted scholars and composers from all over Italy and beyond, 3 keynote speakers and demonstrations from music industry companies.

Below you will find salient information regarding this edition, including the scientific program, the music program, the proceedings and the sponsors. For more information refer to the related AIMI page.

Opening Concert

Pieces:
Arne Nordheim, Dinosauros (1971) for accordion and tape
Kaija Saariaho, Jardin Secret II (1984-86) for harpsichord and tape
James Tenney, SAXONY (1978) for saxophone quartet and live electronics
Luigi Nono, Post-prae-ludium n.1 per Donau (1987) for tuba and live electronics

Performers:
Sylviane Sapir, live electronics
Nicola Casetta and Alessandro Petrolati, sound diffusion
Roberta Pandolfi, harpsichord
Raffaele Damen, accordion
Sidera Saxophone Quartet (Gianpaolo Antongirolami, Michele Selva, Michele Bianchini, Daniele Berdini, saxophones)
Giancarlo Schiaffini, tuba

Proceedings

Proceedings are officially hosted by LIM (Laboratorio di Informatica Musicale) – Università di Milano at the following link.

Detailed Program

Music Program

Keynote Speakers

ELVIRA BRATTICO, PHD
Keynote: Making sense of music: Insights from cognitive neuroscience

Affiliation:
Prof. of Neuroscience, Music and Aesthetics, Department of Clinical Medicine, Aarhus University
Prof. of General Psychology (part-time), Department of Educational Sciences, Psychology, Communication, University of Bari Aldo Moro

LAURA ZATTRA, PHD
Keynote: Lo strumento computer: metodi misti per studiarne passato e presente, tra archivi, fonti disperse e storia orale

Affiliation:
Conservatori di musica di Bologna e Rovigo, Equipe APM IRCAM (Parigi)

HENNA TAHVANAINEN, PHD
Keynote: The resonant body of the string instrument

Affiliation:
Post-doctoral researcher, Department of Industrial Engineering, University of Bologna

Supporters and Sponsors

Ernst von Siemens Musikstiftung – Supporting Institution

Comune di Ancona – Supporting Institution

Orastron Srl – Sponsor

Viscount International Spa – Sponsor

Audio Modeling – Sponsor

Elk Audio – Sponsor

Artinoise – Sponsor

Studiologic – Sponsor

INKAL – Technical Sponsor

Dissemination Partners

Soundmit

Cinematica Festival

Risme Digitali

Thanks to

General chairs:

  • Leonardo Gabrielli, Università Politecnica delle Marche
  • Gianpaolo Antongirolami, Conservatorio di Perugia

Scientific chairs:

  • Stefano Delle Monache, Delft University of Technology
  • Federico Fontana, Università di Udine
  • Stefano Squartini, Università Politecnica delle Marche
  • Luca Turchet, Università di Trento

Music chairs:

  • Nicola Casetta, Conservatorio di Pesaro
  • Alessandro Petrolati, Apesoft

Program committee:

  • Federico Avanzini, Università di Milano
  • Stefano Delle Monache, Delft University of Technology
  • Federico Fontana, Università di Udine
  • Giorgio Klauer, Conservatorio di Venezia
  • Stefano Papetti, Zurich University of the Arts
  • Anna Terzaroli, Conservatorio di Benevento

Local committee :

  • Michela Cantarini, Università Politecnica delle Marche
  • Emanuele Storti, Università Politecnica delle Marche

Reviewing committee: see full list here